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    題干:Manythingsmakepeoplethinkartistsareweirdandtheweirdestmaybethis:artists,onlyjobistoexploreemotions,andyettheychoosetofocusontheonesthatfeelbad.Thiswasn’talwaysso.Theearliestformsofart,likepaintingandmusic,arethosebestsuitedforexpressingjoy.Butsomewherefromthe19thcenturyonward,moreartistsbeganseeinghappinessasmeaningless,phonyor,worstofall,boring,aswewentfromWordsworth'sDaffodilstoBaudelaire'sFlowersofEvil.Youcouldarguethatartbecamemoreskepticalofhappinessbecausemoderntimeshaveseensomuchmisery.Butit,snotasifearliertimesdidn’tknowperpetualwar,disasterandthemassacreofinnocents.Thereason,infact,maybejusttheopposite:thereistoomuchdamnhappinessintheworldtoday.Afterall,whatistheonemodernformofexpressionalmostcompletelydedicatedtodepictinghappiness?Advertising.Theriseofanti-happyartalmostexactlytrackstheemergenceofmassmedia,andwithit,acommercialcultureinwhichhappinessisnotjustanidealbutanideology.Peopleinearliererasweresurroundedbyremindersofmisery.Theyworkeduntilexhausted,livedwithfewprotectionsanddiedyoung.IntheWest,beforemasscommunicationandliteracy,themostpowerfulmassmediumwasthechurch,whichremindedworshippersthattheirsoulswereinperilandthattheywouldsomedaybemeatforworms.Givenallthis,theydidnotexactlyneedtheirarttobeabummertoo.TodaythemessagestheaverageWesternerissurroundedwitharenotreligiousbutcommercial,andforeverhappy.Fast-foodeaters,newsanchors,textmessengers,allsmiling,smiling,smiling.Ourmagazinesfeaturebeamingcelebritiesandhappyfamiliesinperfecthomes.Andsincethesemessageshaveanagenda-tolureustoopenourwallets-theymaketheveryideaofhappinessseemunreliable.“Celebrate!"commandedtheadsforthearthritisdrugCelebrex,beforewefoundoutitcouldincreasetheriskofheartattacks.Butwhatweforget-whatoureconomydependsonusforgetting-isthathappinessismorethanpleasurewithoutpain.Thethingsthatbringthegreatestjoycarrythegreatestpotentialforlossanddisappointment.Today,surroundedbypromisesofeasyhappiness,weneedarttotellus,asreligiononcedid,Mementomori:rememberthatyouwilldie,thateverythingends,andthathappinesscomesnotindenyingthisbutinlivingwithit.It’samessageevenmorebitterthanaclovecigarette,yet,somehow,abreathoffreshair.
    題目:By citing the example of poets Wordsworth and Baudelaire,the author intends to show that_____.
  • A 、poetry is not as expressive of joy as painting or music
  • B 、art grows out of both positive and negative feeling
  • C 、poets today are less skeptical of happiness
  • D 、artists have changed their focus of interest

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【正確答案:D】

細(xì)節(jié)題。根據(jù)題干中的專有名詞定位到第二段末句。該句句首but表明它與上文存在轉(zhuǎn)折 關(guān)系。上文提到, 最早的藝術(shù)形式是最適合表達(dá)歡樂的;末句轉(zhuǎn)折指出,更多的藝術(shù)家開始 把快樂看做是不好的東西。由句中from… to… 結(jié)構(gòu)可推知,題干中提到的這兩位詩(shī)人分別 是“表達(dá)歡樂”和“貶斥歡樂”兩個(gè)階段的代表。作者提到他們是為了說明藝術(shù)家對(duì)快樂的 看法發(fā)生了改變。D選項(xiàng)是最佳答案。

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