- 閱讀理解B
題干：EmerginginthelateSixtiesandreachingapeakintheSeventies,LandArtwasoneofarangeofnewforms,includingBodyArt,PerformanceArt,ActionArtandInstallationArt,whichpushedartbeyondthetraditionalconfinesofthestudioandgallery.Ratherthanportrayinglandscape,landartistsusedthephysicalsubstanceofthelanditselfastheirmedium.TheBritishlandart,typifiedbyRichardLong'spiece,wasnotonlymoredomesticallyscaled,butalotquirkierthanitsAmericancounterpart.Indeed,whileyoumightassumethatanexhibitionofLandArtwouldconsistonlyofrecordsofworksratherthantheworksthemselves,Long'sphotographofhisworkisthework.Sincehis"action"isinthepastthephotographisitssoleembodiment.Thatmightseemratheranobscurepoint,butitsetsthetoneforanexhibitionthatcontainsalotofblack-and-whitephotographsandrelativelyfewnaturalobjects.LongisBritain'sbest-knownLandArtistandhisStoneCircle,aperfectringofpurplishrocksfromPortisheadbeachlaidoutonthegalleryfloor,representstheelegant,rarefiedsideoftheform.TheBoyleFamily,ontheotherhand,standforitsdirty,urbanaspect.ComprisingartistsMarkBoyleandJoanHillsandtheirchildren,theyrecreatedrandomsectionsoftheBritishlandscapeongallerywalls.TheirOlafStreetStudy,asquareofbrick-strewnwasteground,isoneofthefewworksheretoembracethecommonplacenessthatcharacterizesmostofourexperienceofthelandscapemostofthetime.Parksfeature,particularlyintheearlierworks,suchasJohnHilliard'sveryfunnyAcrossthePark,inwhichalong-hairedstrollerisvariouslysmiledatbyaprettygirlandunwittinglyassaultedinasequenceofimagesthatturnouttobedifferentpartsofthesamephotograph.GenerallyhoweverBritishlandartistspreferredtogetawayfromtowns,gravitatingtowardslandscapesthataretraditionallyconsideredbeautifulsuchastheLakeDistrictortheWiltshireDowns.Whileitprobablywasn'tapparentatthetime,muchofthisworkispermeatedbyaspiritofromanticescapismthatthelikesofWordsworthwouldhavereadilyunderstood.DerekJarman'syellow-tintedfilmTowardsAvebury,acollectionoflong,mostlystillshotsoftheWiltshirelandscape,evokesatraditionofEnglishlandscapepaintingstretchingfromSamuelPalmertoPaulNash.InthecaseofHamishFulton,youcan'thelpfeelingthattheScottishartisthassimplyfoundawayofmakinghisloveofwalkingpay.Atypicalwork,suchasSevenDays,consistsofasinglebeautifulblack-and-whitephotographtakenonanepicwalk,withthemileageandnumberofdaystakenlistedbeneath.BritishLandArtasshowninthiswellselected,butrelativelymodestlyscaledexhibitionwasn'taboutimposingonthelandscape,moreakindoflandscape-orientatedlightconceptualartcreatedpassingthrough.Ithaditsoriginsinthegreatoutdoors,buttheresultswereasgallery-boundasthepaintingsofTurnerandConstable.
題目：Stone Circle - A 、originates from a long walk that the artist took
- B 、 illustrates a kind of landscape-orientated light conceptual art
- C 、reminds people of the English landscape painting tradition
- D 、represents the elegance of the British land art
- E 、depicts the ordinary side of the British land art
- 、embodies a romantic escape into the Scottish outdoors
- 、contains images from different parts of the same photograph
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參考答案【正確答案：D】
第四段第一句“Long is Britain’s best-known Land Artist and his Stone Circle... represents the elegant, rarefied side of the form.” D選項(xiàng)represents the elegance of the British land art是對原文信息的總結(jié)復(fù)現(xiàn)，故為正確選項(xiàng)。
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- 2 【閱讀理解B】Stone Circle
- A 、originates from a long walk that the artist took.
- B 、illustrates a kind of landscape-orientated light conceptual art.
- C 、reminds people of the English landscape painting tradition.
- D 、represents the elegance of the British land art.
- E 、depicts the ordinary side of the British land art.
- 、embodies a romantic escape into the Scottish outdoors.
- 、contains images from different parts of the same photograph.
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