- 閱讀理解A
題干：WetendtothinkofthedecadesimmediatelyfollowingWorldWarIIasatimeofprosperityandgrowth,withsoldiersreturninghomebythemillions,goingofftocollegeontheG.I.Billandliningupatthemarriagebureaus.Butwhenitcametotheirhouses,itwasatimeofcommonsenseandabeliefthatlesscouldtrulybemore.DuringtheDepressionandthewar,Americanshadlearnedtolivewithless,andthatrestraint,incombinationwiththepostwarconfidenceinthefuture,madesmall,efficienthousingpositivelystylish.Economicconditionwasonlyastimulusforthetrendtowardefficientliving.Thephrase“l(fā)essismore”wasactuallyfirstpopularizedbyaGerman,thearchitectLudwigMiesvanderRohe,wholikeotherpeopleassociatedwiththeBauhaus,aschoolofdesign,emigratedtotheUnitedStatesbeforeWorldWarIIandtookuppostsatAmericanarchitectureschools.ThesedesignerscametoexertenormousinfluenceonthecourseofAmericanarchitecture,butnonemoresothanMies.Mies’signaturephrasemeansthatlessdecoration,properlyorganized,hasmoreimpactthanalot.Elegance,hebelieved,didnotderivefromabundance.Likeothermodernarchitects,heemployedmetal,glassandlaminatedwood—materialsthatwetakeforgrantedtodaybutthatinthe1940ssymbolizedthefuture.Mies’sophisticatedpresentationmaskedthefactthatthespaceshedesignedweresmallandefficient,ratherthanbigandoftenempty.TheapartmentsintheeleganttowersMiesbuiltonChicago’sLakeShoreDrive,forexample,weresmaller—two-bedroomunitsunder1,000squarefeet—thanthoseintheirolderneighborsalongthecity’sGoldCoast.Buttheywerepopularbecauseoftheirairyglasswalls,theviewstheyaffordedandtheeleganceofthebuildings’detailsandproportions,thearchitecturalequivalentoftheabstractartsopopularatthetime.Thetrendtoward“l(fā)ess”wasnotentirelyforeign.Inthe1930sFrankLloydWrightstartedbuildingmoremodestandefficienthouses—usuallyaround1,200squarefeet—thanthespreadingtwo-storyoneshehaddesignedinthe1890sandtheearly20thcentury.The“CaseStudyHouses”commissionedfromtalentedmodernarchitectsbyCaliforniaArts&Architecturemagazinebetween1945and1962wereyetanotherhomegrowninfluenceonthe“l(fā)essismore”trend.Aestheticeffectcamefromthelandscape,newmaterialsandforthrightdetailing.InhisCaseStudyHouse,RalphRapsonmayhavemispredictedjusthowthemechanicalrevolutionwouldimpacteverydaylife—fewAmericanfamiliesacquiredhelicopters,thoughmosteventuallygotclothesdryers—buthisbeliefthatself-sufficiencywasbothdesirableandinevitablewaswidelyshared.
題目： What can we learn about the design of the “Case Study House”?（） - A 、Mechanical devices were widely used
- B 、Natural scenes were taken into consideration
- C 、Details were sacrificed for the overall effect
- D 、Eco-friendly materials were employed
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參考答案【正確答案：B】
A. 機(jī)械裝置得以廣泛應(yīng)用；B. 自然景觀得以考慮；C. 為整體效果而犧牲了細(xì)節(jié)；D. 采用了環(huán)保材料
最后一段第二句話Aesthetic effect came from the landscape, new materials and forthright detailing.（審美效果來(lái)自于自然景色，新材料的運(yùn)用和明了的細(xì)節(jié)設(shè)計(jì)）可見B答案正確。
A沒有提及，C與文意相反，新材料不等于環(huán)保材料，故D錯(cuò)誤。
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- A 、People are better described in cold, objective terms
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- A 、economy is now well on its way to recovery
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- A 、She will be deported sooner or later.
- B 、She is allowed to stay permanently.
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- A 、Many middle-income families have failed to make a bargain for better welfare.
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- A 、the very rich are fashion-conscious
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- 7 【閱讀理解A】Which inference can we make about Margaret?
- A 、She is a unique woman.
- B 、She was once divorced.
- C 、She is going to retire.
- D 、She has many children.
- 8 【閱讀理解A】We can learn from the last paragraph that the author believes_____.
- A 、happiness more often than not ends in sadness
- B 、the anti-happy art is distasteful but refreshing
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- B 、The alphabet is to blame for the failure of Zoě Zysman.
- C 、Customers often pay a lot of attention to companies' names.
- D 、Some form of discrimination is too subtle to recognize.
- 10 【閱讀理解A】We can learn from the text that Americans have a history of_____.
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